Here’s
an interview we conducted with Kasim Sulton in 2004. Kasim was visiting
Milwaukee to participate in Cascio Interstate Music’s “Star
Clinic’s” Music Education Program at the city’s
annual Summerfest celebration ...
Kasim Sulton. That's a great rock
n' roll name. Is it your real name?
Amazingly enough, this name was given to me
at birth. My father, Ahmed “Lance” Sulton, wanted to
preserve his middle eastern heritage with the arrival of his first
child, me. My mother, Ernestine Theodoropolus, wanted a more traditional
Greek name, i.e. Theodore, Andrew or Peter. But, since I was the
first, my father won out and got to name me. It was difficult while
growing up among Billys, Bobbys, Tonys, Tommys, Jimmys and Johnnys.
I didn't much like my own name until I was in my late teens. I realize
now how great it was to have a name that no one else had. It made
a big difference in helping me stand out in a crowd. Besides, who
would ever think up a name like Kasim Sulton?
What
do you like to do when you're not on the road?
Oh, I like to putter around the house like
most guys. You know, fix things, make dinner every now and then.
But I'm most comfortable working. More often than not I can be found
in my studio at home making music.
Do
you prefer playing in the studio or in a live setting?
Each has it's own pros and cons. In the studio
you can labor over one note, one chord, one riff until it's perfect.
You get the chance to hear what was just an idea blossom into a
full song with all the bells and whistles. That can be very gratifying
... as well as very frustrating. When working in a studio, I wouldn't
be surprised if I heard one song 100 times before I'm done recording
it.
Performing live, you get one chance to do it. Then, it's gone in
a way. You can never get that moment back. Sure, you can make a
recording of it, you can fix a wrong note or flat vocal on a live
recording, but for all intents and purposes, you will never play
that piece of music the same again. That’s the beauty of a
live performance. To answer the question; I don't prefer one to
the other. As long as I'm playing, I'm happy.
What's
the most exotic place you've ever played?
Most exotic? Dubai, UAE (United Arab Emirates).
It's amazing seeing a golf course in the middle of the desert ...
even more amazing that the guy who owns it ships in 1,000,000 gallons
of water a day to keep it green!
...
And the least exotic?
Least exotic? Dayton, Ohio (I know I'm gonna
get hate mail for that answer).
Fashion
seems to be something you enjoy. Do you think it's an important
aspect of being in a band?
Do I give that impression? I like dressing
well. I like to look good. But I think it comes down to the individual.
I mean, clothes don't necessarily make the man but ... it doesn't
hurt to wear D&G! I do think I have a certain image that I like
to exude. It just so happens, it's not pants with the crotch at
my knees and a sports jersey with a number on it (more hate mail
comin' my way). Clothes don't seem to come into play as much these
days as they did say 15 years ago. And if you’re a girl, it
seems to me less is more today.
What do you enjoy most about playing
with Todd Rundgren? Meat Loaf?
Apples and oranges. Yes, they're both fruit
but they couldn't be more different in terms of content. Todd is
the consummate singer/songwriter. Very few people can turn a lyric
the way he does. The music with Todd is very heady and relies more
on thought than feeling. Feel definitely plays a roll but the overall
message is really quite deep.
Meat Loaf is much more visceral. Much more immediately intense.
You go to a Meat Loaf concert to be consumed by sight and sound.
No one can work an audience like he does. His performances are dance-like.
The shows with Meat are really that... SHOWS. Everything is thrown
in, done twice, then done again.
Who
would you like to work with if you had the chance?
Nik Kershaw, Jonatha Brooks, Butterfly Boucher,
Ben Folds, Sting. Also, Liszt, Mozart and John Lennon, but I doubt
that will happen.
Do
you have any words of wisdom for aspiring young musicians?
Finish school. Go to college. Trust yourself
and your talent, don't disrespect it. Don't get discouraged, frustrated
or sidetracked. Most “overnight” successes have been
around for a long time before they got a break.
How
did you enjoy your "Star Clinics" experience in Milwaukee?
I can't say enough good things about my experience
on stage at Summerfest for "Star Clinics". I had so much
fun pulling young people out of the audience to come on stage and
play with me. Whether they knew what they were doing or not didn't
matter ... the experience for me, and I hope them, was amazing.
Do
you have plans for a new solo release?
I'm currently working on my next solo CD,
the follow up to 2002’s Quid Pro Quo. (Note: Kasim signed
with Sanctuary Records in 2005 and plans are in motion for a re-release
of “Quid Pro Quo” with bonus tracks and extras for his
fans. A CD of new material is also forthcoming!)
Word
Association Test - Kasim, please tell me what comes in to your mind
when you see the following names?
UTOPIA:
My first real band.
MEAT
LOAF: 50,000,000 records with my name on them.
JOAN
JETT: Dedication to form.
HALL
& OATES: Blue-eyed-soul.
PATTI
SMITH: Unassuming charm.
PATTY
SMYTH: Amazing singer - truly amazing.
MICK
JAGGER: He yelled at me.
CELINE
DION: Las Vegas.
RICHIE
SAMBORA: Gentleman of the highest order, great musician.
Name five or six albums you've been
on that you would single out as favorites.
Utopia
- Adventures In Utopia
Meat
Loaf - Bat Out Of Hell I - Bat Out of Hell II (Back Into Hell)
Johnny
Hates Jazz - Tall Stories
Meat
Loaf - Storytellers
Joan
Jett and the Blackhearts - Up Your Alley
Utopia
- Oblivion
Patty
Smith - Dream Of Life
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